Tom Gibbons is a Sound Designer and Composer for theatre, musical theatre, film and live installation.
Theatre credits include:
All My Sons (Wyndhams Theatre);
Every Brilliant Thing (Soho Place Theatre);
Manhunt (Royal Court);
The Seagull (Barbican Theatre);
Oedipus (Wyndham’s, Greece, Broadway);
Long Day’s Journey into Night, Good, All About Eve (West End);
Dear England, Coriolanus, The Antipodes, Hedda Gabler, Sunset At The Villa Thalia, The Red Barn (National Theatre);
Home, I’m Darling (Theatre Clwyd, West End) People, Places and Things (National Theatre, Off Broadway);
Jesus Christ Superstar (DeLaMar, Amsterdam);
The Enormous Crocodile (Regent’s Park, Leeds Playhouse), Here We Are (The National Theatre, The Shed, New York);
Best of Enemies (Noël Coward Theatre, Young Vic);
Grey House (Lyceum, Broadway);
Hamlet, Oresteia, The Doctor (Park Avenue Armory, Almeida, West End);
Animal Farm (UK tour);
West Side Story, Who’s Afraid of Virginia Woolf? (Broadway);
Judas, Oedipus, The Doctor (International Theatre Amsterdam);
Our Town (Regent’s Park Open Air);
The Doctor, Wild Duck (Almeida & West End);
Cabaret (Göteborg Opera);
Madness of King George III (Nottingham Playhouse);
Hexenjagd (Theater Basel);
Mr Burns, 1984 (Almeida, West End, Broadway);
Fanny and Alexander, The Lorax (Old Vic);
A View From the Bridge (Young Vic, West End, Broadway);
Obsession (International Theatre Amsterdam, Barbican);
Life of Galileo, Happy Days, A Season in the Congo, Disco Pigs (Young Vic);
Les Miserables (Wermland Opera, Sweden);
The Crucible (Walter Kerr Theatre, Broadway);
Anna Karenina (Manchester Royal Exchange);
The Moderate Soprano, Elephants (Hampstead);
White Devil, As You Like It (RSC);
Translations, Plenty (Sheffield Crucible);
After Life, The Absence of War, Romeo & Juliet (Headlong);
Lion Boy (Complicite);
Venus in Fur (Theatre Royal Haymarket);
Henry IV, Julius Caesar (Donmar, St Ann’s Brooklyn).
Giles trained in Sound Technology at Liverpool Academy for Performing Arts.
Giles Thomas’ work in theatre as sound designer includes Man and Boy, The LeftBehinds (schools tour) for the National Theatre; Kenrex at Sheffield Theatres, Southwark Playhouse and The Other Palace; A Christmas Carol(ish) at Soho Place, Portia Coughlan and They Drink It in the Congo at the Almeida; untitled f*ck m*ss s**gon play at the Royal Exchange, Manchester, Manchester International Festival and the Young Vic; Private Lives at the Donmar; Sons of the Prophet at Hampstead; Tao of Glass at Manchester International Festival, Dick Whittington at Stratford East; The Comeback in the West End.
As composer and sound designer work includes ‘Master Harold’ …and the boys and Pomona (also the Royal Exchange, Manchester and the Orange Tree) at the National Theatre; Dublin Gothic and An Octoroon at the Abbey, Dublin; Safe Space, Lord of the Flies, The House Party and The Vortex at Chichester; 1984 at Theatre Royal, Bath; The Crucible, The Contingency Plan and Contractions at Sheffield Theatres; The Glass Menagerie, The Almighty Sometimes and How My Light is Spent at the Royal Exchange, Manchester; Wish List and Yen at the Royal Exchange and Royal Court; Fair Play and Hijabi Monologues at the Bush; Cat on a Hot Tin Roof at Leicester Curve Theatre, The Dumb Waiter at Hampstead Theatre; Liverpool Playhouse and on UK tour; Faustus: That Damned Woman at the Lyric Hammersmith and Birmingham Rep; Equus and A Streetcar Named Desire for ETT and Plenty and Cock at Chichester
